CM: We’ve had loads of dialogue in our workplace in regards to the garments on Sirens. Considered one of our writers spoke to the costume designer about nailing the type of exaggerated, virtually camp preppy aesthetic. However I really feel like Michaela’s garments had been the one wardrobe one actually coveted from the present.
JM: [Costume designer] Caroline Duncan and I labored on that fairly carefully. It’s like [Michaela] has the next style pitch than everyone else. She’s the queen bee, so she desires to distinguish herself and sign her energy. So we talked about retaining her in ivories loads, cream colours. And stuff that’s not notably sensible.
CM: Did you retain something?
JM: I did. The outfit that I saved was the one which I wore on the very finish of the present, when she’s on the ferry, as a result of I used to be like, That, I’ll put on. That was a suede Khaite jacket. I liked it. And a pair of The Row denims that I liked, and this nice sweater.
CM: Do you typically, or ever, convey any of your personal garments onto set?
JM: I attempt to keep away from it. Generally I convey sneakers ’trigger I’m actually explicit about how my sneakers match and whether or not or not I can stroll in them. However, you realize, costumes get soiled, you get make-up on them, you’re form of in soiled locations. And so you probably have one thing very nice, you don’t wanna convey it to work. [Laughs.]
CM: I wanna know if Michaela’s life at Cliff Home has any correlation to Julianne’s life in Montauk.
JM: Oh, no, no. As a matter of reality, I went to the beverage retailer in Montauk final weekend to get my case of lemon LaCroix and my mini Weight loss program Pepsis and stuff, and the girl that I do know from the beverage retailer was saying, “I actually love that present, however wow, she’s not such as you in any respect.” I used to be like, I don’t suppose Kiki buys her personal mini Weight loss program Pepsis.
TA: You began by saying that you simply discover that everybody’s watching this present. You’ve been in loads of massive, blockbuster-y films which have massive premieres and field workplace numbers, and now we’re in a brand new period the place one thing like Sirens begins to dominate the dialog. What are your ideas on that?
